Title: 1910, the emancipation of dissonance 
Author: Harrison, Thomas J 1955-
Published: University of California Press,  1996
Subjects: Literature | Comparative Literature | European  Literature | Art History
Publisher's Description: The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. In this perceptive interdisciplinary analysis, Thomas Harrison addresses the extraordinary intellectual achievement of the time. Focusing on the cultural climate of Middle Europe and paying particular attention to the life and work of Carlo Michelstaedter, he deftly portrays the reciprocal implications of different discourses - philosophy, literature, sociology, music, and painting. His beautifully balanced and deeply informed study provides a new, wider, and more ambitious definition of expressionism and shows the significance of this movement in shaping the artistic and intellectual mood of the age. 1910 probes the recurrent themes and obsessions in the work of intellectuals as diverse as Egon Schiele, Georg Trakl, Vasily Kandinsky, Georg Lukàcs, Georg Simmel, Dino Campana, and Arnold Schoenberg. Together with Michelstaedter, who committed suicide in 1910 at the age of 23, these thinkers shared the essential concerns of expressionism: a sense of irresolvable conflict in human existence, the philosophical status of death, and a quest for the nature of human subjectivity. Expressionism, Harrison argues provocatively, was a last, desperate attempt by the intelligentsia to defend some of the most venerable assumptions of European culture. This ideological desperation, he claims, was more than a spiritual prelude to World War I: it was an unheeded, prophetic critique.   [brief]
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Title: Ambiguous angels: gender in the novels of Galdós 
Author: Jagoe, Catherine
Published: University of California Press,  1994
Subjects: Literature | European  Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: The contradictory nature of the work of Benito Pérez Galdós, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdós's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood - the angel of the house.Using primary sources such as periodicals, medical texts, and conduct literature, Jagoe's examination of the evolution of feminism makes Ambiguous Angels valuable to anyone interested in gender, culture, and narrative in nineteenth-century Europe.   [brief]
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Title: Bolshevik festivals, 1917-1920 
Author: Von Geldern, James
Published: University of California Press,  1993
Subjects: History | European History | European  Literature | Russian and Eastern European Studies
Publisher's Description: In the early years of the USSR, socialist festivals - events entailing enormous expense and the deployment of thousands of people - were inaugurated by the Bolsheviks. Avant-garde canvases decorated the streets, workers marched, and elaborate mass spectacles were staged. Why, with a civil war raging and an economy in ruins, did the regime sponsor such spectacles?In this first comprehensive investigation of the way festivals helped build a new political culture, James von Geldern examines the mass spectacles that captured the Bolsheviks' historical vision. Spectacle directors borrowed from a tradition that included tsarist pomp, avant-garde theater, and popular celebrations. They transformed the ideology of revolution into a mythologized sequence of events that provided new foundations for the Bolsheviks' claim to power.   [brief]
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Title: Broken tablets: the cult of the law in French art from David to Delacroix 
Author: Ribner, Jonathan P
Published: University of California Press,  1993
Subjects: Art | Art History | French Studies | European  Literature | European History | Law
Publisher's Description: In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws.Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.   [brief]
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Title: Chaucer's Dante: allegory and epic theater in The Canterbury tales 
Author: Neuse, Richard
Published: University of California Press,  1991
Subjects: Literature | English Literature | European  Literature | Medieval Studies
Publisher's Description: Richard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales . He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human.Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century.   [brief]
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Title: City steeple, city streets: saints' tales from Granada and a changing Spain 
Author: Slater, Candace
Published: University of California Press,  1990
Subjects: Anthropology | Folklore and Mythology | Literary Theory and Criticism | European  Literature
Publisher's Description: Candace Slater's new book focuses on narratives concerning Fray Leopoldo de Alpandeire (1864-1956), a Capuchin friar from Granada and probably the most popular nonconsecrated saint today in all of Spain. In tracing the emergence of a group of contemporary legends about Fray Leopoldo, Slater discusses both the stories she tape-recorded in the streets of Granada and the friar's official biography. She underscores the essential pluralism of the tales, their undercurrent of resistance to institutional authority, and their deep concern for the relationship between past and present. Bearing witness to the subtlety and resilience of even the most apparently conservative folk-literary forms, these stories are not only about the role of saints and miracles in an increasingly secular and industrial society but, first and foremost, also about the legacy of the Franco years.   [brief]
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Title: A coat of many colors: Osip Mandelstam and his mythologies of self-presentation 
Author: Freidin, Gregory
Published: University of California Press,  1987
Subjects: Literature | European  Literature
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Title: The color of gender: reimaging democracy 
Author: Eisenstein, Zillah R
Published: University of California Press,  1994
Subjects: Gender Studies | European  Literature | Literary Theory and Criticism | Women's Studies
Publisher's Description: In this provocative volume, Zillah Eisenstein uncovers the hidden sexual and racial politics of the past decade. Beginning where she left off in her award-winning book The Female Body and the Law , Eisenstein takes the reader on a feminist-inspired road trip, traveling from the thicket of recent abortion decisions to the revolutions of 1989 to the murky chambers of the Anita Hill/Clarence Thomas hearings. Along the way, she enunciates a wholly original conception of individual privacy and sexual rights.Eisenstein brings a range of topics to her discussion: the L.A. riots, crack babies, Murphy Brown, political correctness, the 1992 presidential election, the Gulf War. She seeks to redirect our thinking about democracy away from universal conceptions that mask racial and gender oppression to the specific realities of women and people of color. A respect for multiple differences - as represented in the needs of women of color and their bodies - is, she says, essential to inclusive universal rights. Reproductive freedoms and sexual equality, not abstract notions of civil liberties, provide the wellsprings of a meaningful democratic life. Using this perspective to evaluate the Eastern European revolutions of 1989, Eisenstein finds that the separation between their ideals and the reality of the market system illustrates the failings of democratic theory, especially for women.Eisenstein's controversial arguments will provoke a rethinking of what race and gender mean today.   [brief]
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Title: The dissonant legacy of modernismo: Lugones, Herrera y Reissig, and the voices of modern Spanish American poetry 
Author: Kirkpatrick, Gwen
Published: University of California Press,  1989
Subjects: Latin American Studies | European  Literature | Poetry
Publisher's Description: This is a provocative new reading of a crucial and often misunderstood period of Spanish American literature. Most studies of modernismo have focused on the poetry of Rubén Darío and have noted the movement's aestheticism and its unmistakable French influences. Kirkpatrick concentrates instead on important negations of harmony and the movement's internal dismantling of its own precepts. Major contradictions within the movement itself are revealed through the works of the Argentine Leopoldo Lugones and the Uruguayan Julio Herrera y Reissig. Extending her analysis to later writers such as Ramón López Velarde, César Vallejo, and Alfonsina Storni, Kirkpatrick shows the changes that foreshadow the more overt experiments of these poets and illuminates the continuity between the modernistas and later generations.   [brief]
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Title: The enchantments of love: amorous and exemplary novels 
Author: Zayas y Sotomayor, María de 1590-1650
Published: University of California Press,  1990
Subjects: Literature | European  Literature
Publisher's Description: An instant best-seller in Spain in 1637, The Enchantments of Love is a collection of shrewd and timeless tales in the tradition of Bocaccio's Decameron and Chaucer's Canterbury Tales . Although some of the tales have appeared in English through the centuries, this delightful translation by H. Patsy Boyer is the first complete text.The structure of the book is provided by a series of lavish soirees at which five men and five women entertain with stories their ailing hostess, the lovely Lysis. Each of the ten tales explores some aspect of "enchantment," or love, between a handsome gallant and a lovely lady. The sharp contrast between the women's and men's stories transmits a subtle, often ironic feminism. Their originality, frankness, and powerful style make them as readable today as they were 350 years ago.The women storytellers emphasize the perspective of female protagonists, all of whom are deceived or abused by their husbands or by suitors. Each is finally driven to perform some act of heroism before finding satisfaction in marriage, or a haven in the convent. The men's stories all point to moral flaws in the characters' behavior: egotism, avarice, shortsightedness, lust, and unfaithfulness.Maria de Zayas portrays every theme from eroticism and brutal rape to the most exalted love. Her success with this book and its sequel, The Disenchantments of Love (1647), is well documented, although the details of her life are sadly lacking. Her bold treatment of the relationships between men and women challenged the literary conventions of her day, and her defense of women has earned her a reputation as a pioneering feminist.   [brief]
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Title: Flight from Eden: the origins of modern literary criticism and theory 
Author: Cassedy, Steven
Published: University of California Press,  1990
Subjects: Literature | European  Literature
Publisher's Description: Steven Cassedy takes aim at two of the most enduring myths of modern criticism: that it is secular, and that it is new and autonomous. He argues that though modern criticism is often forbiddingly scientific and technical, the modern critic remains something of a mystic. Every school of modern criticism - from structuralism to postmodern criticism - rests on a faith in an "Eden," an irreducible essence, a myth, like the common myth that there is an intrinsic distinction between "poetic" language and "ordinary" language. The modern critic attempts to abandon all mystical faith; this is the "flight from Eden." But it is always in vain.It is traditionally assumed that modern literary criticism and theory came from France, and relatively recently. In fact, according to Cassedy, the entire modern critical consciousness was already formed by the early twentieth century in the minds of writers who were primarily neither professional critics nor philosophers, but poets. Some were French (Mallarmé, and Valéry); others were not (Rilke, Bely, and the Russian avant-garde poet Velimir Khlebnikov). In them we find the same Edenic faith, the same effort to abandon it, and the same failure of that effort.   [brief]
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Title: From the royal to the republican body: incorporating the political in seventeenth- and eighteenth-century France 
Author: Melzer, Sara E
Published: University of California Press,  1998
Subjects: History | European History | French Studies | European  Literature | Cinema and Performance Arts | Politics
Publisher's Description: In this innovative volume, leading scholars examine the role of the body as a primary site of political signification in seventeenth- and eighteenth-century France. Some essays focus on the sacralization of the king's body through a gendered textual and visual rhetoric. Others show how the monarchy mastered subjects' minds by disciplining the body through dance, music, drama, art, and social rituals. The last essays in the volume focus on the unmaking of the king's body and the substitution of a new, republican body. Throughout, the authors explore how race and gender shaped the body politic under the Bourbons and during the Revolution. This compelling study expands our conception of state power and demonstrates that seemingly apolitical activities like the performing arts, dress and ritual, contribute to the state's hegemony. From the Royal to the Republican Body will be an essential resource for students and scholars of history, literature, music, dance and performance studies, gender studies, art history, and political theory.   [brief]
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Title: The honeysuckle and the hazel tree: medieval stories of men and women 
Author: Terry, Patricia Ann 1929-
Published: University of California Press,  1995
Subjects: Literature | Literature in Translation | European  Literature | Poetry | Literary Theory and Criticism | French Studies | Medieval Studies | Gender Studies
Publisher's Description: Known for her fine translations of octosyllabic narrative verse, Patricia Terry presents translations of four major practitioners of this dominant literary form of twelfth- and thirteenth-century France. Her introduction discusses the varying views of women and love in the texts and their place in the courtly tradition.From Chrétien de Troyes Terry includes an early work, Philomena , here translated into verse for the first time. The other great writer of this period was Marie de France, the first woman in the European narrative tradition. Lanval is newly translated for this edition, which also features four of Marie's other poems. The collection further includes The Reflection by Jean Renart, known for his realistic settings; and the anonymous Chatelaine of Vergi , a fatalistic and perhaps more modern depiction of love.   [brief]
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Title: Knights at court: courtliness, chivalry, & courtesy from Ottonian Germany to the Italian Renaissance 
Author: Scaglione, Aldo D
Published: University of California Press,  1992
Subjects: Literature | European  Literature | Medieval Studies | Renaissance Literature
Publisher's Description: Knights at Court is a grand tour and survey of manners, manhood, and court life in the Middle Ages, like no other in print. Composed on an epic canvas, this authoritative work traces the development of court culture and its various manifestations from the latter years of the Holy Roman Empire (ca. A.D. 1000) to the Italian Renaissance of the fifteenth and sixteenth centuries.Leading medievalist and Renaissance scholar Aldo Scaglione offers a sweeping sociological view of three geographic areas that reveals a surprising continuity of courtly forms and motifs: German romances; the lyrical and narrative literature of northern and southern France; Italy's chivalric poetry. Scaglione discusses a broad number of texts, from early Norman and Flemish baronial chronicles to the romances of Chrétien de Troyes, the troubadours and Minnesingers. He delves into the Niebelungenlied, Dante, Petrarch, Boccaccio, and an array of treatises on conduct down to Castiglione and his successors.All these works and Scaglione's superior scholarship attest to the enduring power over minds and hearts of a mentality that issued from a small minority of people - the courtiers and knights - in central positions of leadership and power. Knights at Court is for all scholars and students interested in "the civilizing process."   [brief]
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Title: The Languages of psyche: mind and body in Enlightenment thought: Clark Library lectures, 1985-1986 
Author: Rousseau, G. S. (George Sebastian)
Published: University of California Press,  1991
Subjects: History | Medicine | History and Philosophy of Science | European History | European  Literature
Publisher's Description: The Languages of Psyche traces the dualism of mind and body during the "long eighteenth century," from the Restoration in England to the aftermath of the French Revolution. Ten outstanding scholars investigate the complex mind-body relationship in a variety of Enlightenment contexts - science, medicine, philosophy, literature, and everyday society. No other recent book provides such an in-depth, suggestive resource for philosophers, literary critics, intellectual and social historians, and all who are interested in Enlightenment studies.   [brief]
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Title: Literary architecture: essays toward a tradition: Walter Pater, Gerard Manley Hopkins, Marcel Proust, Henry James 
Author: Frank, Ellen Eve
Published: University of California Press,  1983
Subjects: Literature | European  Literature
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Title: The master and Minerva: disputing women in French medieval culture 
Author: Solterer, Helen
Published: University of California Press,  1995
Subjects: Literature | European  Literature | Literary Theory and Criticism | Medieval Studies | Women's Studies | French Studies
Publisher's Description: Can words do damage? For medieval culture, the answer was unambiguously yes. And as Helen Solterer contends, in French medieval culture the representation of women exemplified the use of injurious language.Solterer investigates the debates over women between masters and their disciples. Across a broad range of Old French literature to the early modern Querelle des femmes , she shows how the figure of the female respondent became an instrument for disputing the dominant models of representing women. The female respondent exploited the criterion of injurious language that so preoccupied medieval masters, and she charged master poets ethically and legally with libel. Solterer's work thus illuminates an early, decisive chapter in the history of defamation.   [brief]
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Title: Memory and re-creation in troubadour lyric 
Author: Van Vleck, Amelia Eileen
Published: University of California Press,  1991
Subjects: Literature | European  Literature | Medieval Studies
Publisher's Description: In spite of the fame of individual singers, many of whose names are legendary, the songs of the troubadours often come to us in multiple versions, each with a different sequence of stanzas. What accounts for this variability? Authorial self-effacement might explain why much anonymous medieval poetry was "reworked," but Amelia Van Vleck argues that this answer will not suffice when the author of the song is well known and admired.Van Vleck outlines a new way of reading troubadour lyric by questioning the belief that chansonniers were compiled from song-sheets tracing back to written "authorized" copies. She challenges the very appropriateness of a concept of "text" as applied to troubadour lyric. Instead of superimposing a nineteenth-century notion of "lyric poetry" on these songs, reading them as "perfect" texts and attempting to re-establish an "authentic" version through textual criticism, we must, she claims, become aware of these songs as potential performances with moveable parts, each version a realization of the whole song. Van Vleck concludes that it was primarily the voice, not the pen, that created (and re-created) this innovative body of poetry that forms the very foundation of the Western European lyric.   [brief]
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Title: The novel according to Cervantes 
Author: Gilman, Stephen
Published: University of California Press,  1989
Subjects: Literature | European  Literature | European History | Literature in Translation | Intellectual History
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Title: Paris as revolution: writing in the nineteenth-century city 
Author: Ferguson, Priscilla Parkhurst
Published: University of California Press,  1997
Subjects: Literature | Social Theory | European  Literature | Literary Theory and Criticism | European History | French Studies
Publisher's Description: In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed.In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.   [brief]
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